The first lucky discovery happened when I found a copy of “New City” in one of the newspaper corrals. These corrals, which I so loved when I first saw them that I wanted to take a picture to share with our Northampton mayor, have become an eyesore and often are filled with empty coffee cups and people’s belongings rather than newspapers or free magazines. I was happy to find a “New City” in one as we left the Christina Ramberg exhibition because I had read an article online about it, and I was hoping to find a hard copy.
Unfortunately, it was not the right issue, but it did include a review of a show called “Moscoso Magic” at a place called Instituto Cervantes that was closing soon. Victor Moscoso was one of the main five San Francisco psychedelic poster designers, and the exhibit included his most recognizable posters created during an eight month stretch from 1966 to 1997. A visit to the exhibit seemed like the perfect birthday excursion.
On the way to the exhibit, the next serendipitous event occurred. After our bus got to the first Michigan Avenue stop, it didn’t start going again, and after a few minutes, we had to get off the bus. We decided to walk rather than get on another bus, which gave us the opportunity to go into a church on Michigan I’ve been curious about since I’ve noticed from the bus that it is open to visitors. When we walked in, we were directed to a brochure titled “A Guide to the Architecture of Fourth Presbyterian Church,” and I can see why because it’s amazing!






I was especially drawn to the ceiling. The brochure states, “The ceilings of churches often look like an inverted ship. The main area of the church is called the ‘nave’ from the Latin word for ‘ship’ [as in ‘navy’ and ‘navigate’]” So I didn’t just get to see a beautiful building, I got to learn something new!
We also got to see more butterflies on the way to the exhibit.




And then we got to Moscoso Magic. And it was magical!







That’s Victor Moscoso behind Janis. He has said, “The idea was to hang someone up in front of the poster for as long as you could.” He was definitely successful as it was difficult to leave but it was time to go get my birthday treat!

Since we became aware of the Chicago Imagist artists, we have taken every opportunity to learn more about them and see their work, so we were excited to see the Art Institute’s new Christina Ramberg retrospective. While we were there, we walked over to check out the revamped Ryan Learning Center.

It looks more like a library than an art studio! The art project that day was to make a miniature room inspired by the museum’s Thorne Minature Rooms.



I was especially interested in the system they had to display 3D pieces because that has been a challenge with the 3D flea circuses we have been making at the Chicago Children’s Museum.

I also think the building materials on the tables are a great art studio provision.




There was a toddler area as well.

The Trott Gallery featured a hands-on exhibit about art restoration.






I’d like to take a closer look at some other areas and see the newest art project which is inspired by the current Georgia O’Keefe exhibit so when I go to that I will definitely stop by the Ryan Learning Center again!
One of the things I enjoy about Chicago is the way art pops up around the city. A few weeks ago, when I arrived at the children’s museum, I saw some large round sculptures that looked intriguing. They didn’t look finished, so I waited till the next week to walk over to them to see what they were.





The last two smaller ones didn’t have any artist information, and one wasn’t finished, but I’m glad I went over to look at them then because they were gone by the next week. I’m sad that I didn’t try to find out why they were there because they were part of Mexico Fest, which was at Navy Pier, and it looks like it would have been great. (It is a pet peeve of mine that Navy Pier doesn’t have a physical “This Week at Navy Pier” poster sign or screen at the entrance. There are some screens throughout the Pier that feature some events, but you have to catch them at the right moment.)
I researched the sculptures, and it turns out that these “monumental ceramic inspired figures from Chihuahua” are in the Mata Ortiz Style. Mata Ortiz pottery is a “recreation of the Mongolian pottery found in and around the archeological site of Casa Grandes (Paquilé) in the Mexican state of Chihuahua” Its too bad they didn’t get to stay in Chicago for awhile.
But there’s always something new. One morning, as my daughter was driving to work and talking to me on the phone (as she does) exclaimed “Ooh somewhere in the city is getting a bunch of butterflies. A truck just passed me with a whole bunch of butterflies in the back.” And then the next time I was going to the children’s museum, I saw one from the bus window and another one when I got off the bus.



It turns out they are part of Flight of the Butterflies, an initiative of the Peggy Notebaert Nature Museum and that they are appearing throughout the city so I’ll be keeping an eye out for them!
I didn’t know what to expect during my recent visit to the DuSable museum, but what I didn’t expect was to come around a corner and see what looked like a children’s museum.









I don’t think it is permanent – the website lists it as a current exhibit but with no dates. I hope lots of people visit it because not only does it have a great message, it looks like so much fun! Look at all the food in the store section! The babies were my favorite part – there were probably twenty cribs, and each baby had a name stenciled on their crib.

As I say to the visitors at the art studio in the Chicago Children’s Museum, sometimes you have an idea of something you’d like to make, and sometimes you appreciate a prompt. When I first picked a needle up again during the Covid times, I had a few ideas of pieces to stitch, but I also enjoyed responding to the Stitchtober prompts.
Recently, all I could think of stitching was a piece for next Stitchtober, which, of course, is futile since the prompt list isn’t revealed until September. So I was glad to find another Instagram prompt to respond to – the Words to Live By Challenge. Although nothing except a piece I had already stitched – Never Let The Old Woman In – came to mind at first. Then I saw a fabric piece by Emma Carlow – an anchor with the word Hope – and I thought that’s my word to live by! On my way to get some graph paper to design my own hope anchor, my Hope sculpture by Bill Healy and a heart in hand card my friend Susan had sent for Valentine’s Day one year caught my eye. And my design was born!

In addition to the anchor and two hearts, I added some other symbols of hope – crosses, an olive branch, and a rainbow. Apparently, the number four is also a symbol of hope, so I filled the fingers with four stitches apiece.
I decided to outline the hand, which was challenging, but helped when I saw another prompt. One of the play and learning facilitators at the children’s museum has her own gallery – Yes Project Space – and she put out an open call for work to respond to the work of two poets – one of whom is another play and learning facilitator. As soon as I read his first poem, I knew I wanted to respond to it.

So I planned my piece “Minion Insurrection”. Since I couldn’t cross stitch a small photo of Walt Disney, I attempted a torn picture of Mickey Mouse – half is on the middle Minion’s sword and the other half on the ground at his feet.

My piece was accepted into the show, which is pretty exciting!

I wonder what I will find to respond to next…






































